Louisa May Alcott’s 1868 novel has certainly stood the test of time – and the proof is in the pudding with Wharfemede Productions, as they bring a new heartwarming musical adaptation of Little Women to Theatre@41 this week.
The March sisters Jo, Meg, Beth, and Amy share an unbreakable yet ever-tested bond, carrying them through life’s greatest joys and deepest sorrows. Fiery and determined, Jo leads the way, with a passion for literature rivalled only by her devotion to her family.
But as they grow and new opportunities beckon, will the threads that bind them remain intact, or will the fabric of their sisterhood begin to unravel?
Little Women is at Theatre@41 from Tuesday 18 to Saturday 22 February.
Jo March is a force to be reckoned with, and Connie Howcroft embodied her with remarkable passion, grit, and vocal prowess. Tackling a demanding score with ease, she delivered a series of heartfelt solos with a performance so authentic, it felt as if she had stepped straight from the pages of Alcott’s novel.
Our first encounter with Jo unfolds in the boarding house in New York, immediately showcasing Howcroft’s astonishing performance. From the outset, she draws the audience into a rich, nostalgic journey that foreshadows the trials and triumphs to come.
This sense of foreshadowing was heightened by thoughtful set design. Though the staging remained simple, four drapes hung proudly, each subtly symbolizing the colourful stripes of each one of the March sisters. And as the story took its tragic turn, this visual metaphor became an even more poignant reminder of their status.
So, who are the famous March siblings? Catherine Foster embodied Meg with romantic charm and sincerity, while Tess Ellis captured Amy’s signature pout and jealous temperament, making for an entertaining portrayal. Rachel Higgs brought gentle Beth to life, portraying her as Jo’s steadfast source of comfort with quiet strength.
The casting was excellent, and despite the sisters’ contrasting personalities, they complemented each other beautifully, offering a heartfelt and realistic depiction of the turbulence and tenderness of sisterhood. Completing the family of strong women were Rosy Rowley as the stoic Aunt March, and Helen ‘Bells’ Spencer as the ever-doubtful but loving Marmee.
Beyond their on-stage presence, Spencer and others in the cast played a crucial role behind the scenes. Spencer and Rowley’s clear direction, paired with Higgs’ delicate choreography, showcased the passion poured into this production. Meanwhile, musical director Matthew Clare led a talented seven-piece band, guiding the cast from one melody to the next.
Whilst the female leads carried the show beautifully, we must also tip our hats to the supporting male performers. Steven Jobson delivered a charismatic portrayal of the mischievous Laurie, while Nick Sephton brought quiet warmth to the reserved Professor Bhaer. Andrew Roberts captured the earnest sentimentality of Mr. Brooke, and Chris Gibson balanced authority with tenderness as Mr. Lawrence – each played an important role as the tale unfolded.
Though Little Women: The Musical may not be the most polished creation, Wharfemede Productions made the absolute most of the material, delivering a heartfelt and compelling rendition. Thoughtful symbolism through the cleverly designed costumes and set pieces added depth to an already powerful story.
If you’re looking to be swept into a tale of creativity, resilience, and determination—while celebrating the enduring values of family and friendship—this production is sure to warm your cockles on a chilly February evening.
Take a step into the March home this February, why Christopher Columbus you won’t regret it.
Little Women is at Theatre@41 until Saturday 22 February. Tickets start from £15 and are available via the theatre website.